25th EDITION | MODENA OCTOBER 17-19 2025 - SUBSCRIBE TO THE NEWSLETTER
by Santiago López Jover, Marcus H. Rosenmüller, Germany/Austria, 2021, 85' Original version with Italian subtitles The story, set in the 1960s in a small village in the Austrian hinterland, tells the story of the son of an innkeeper - known by everyone as the "Brat" - who continually clashes with the narrow-minded and ultra-Catholic mentality of his fellow citizens. A politically incorrect and funny animation, based on the life and works of the illustrator and cartoonist Manfred Deix. Entrance with ticket, pass and accreditation
Any Italian or foreign narrative animation film lasting 50 minutes or more. In order to qualify for this section the submitted project must be animated with any kind of technique, whether traditional or digital. Films that have been made available to the public elsewhere, including online, may not be accepted. This includes (but is not limited to) television, home video, streaming or any digital platform both in Italy and abroad. Films that have been invited to other festivals in Italy prior to September 1, 2021 but have notparticipated may compete in this category.
Any Italian or foreign narrative work created with the use of visual effects, lasting 50 minutes or more. To qualify for this section, the submitted project must use visual effects,whether using traditional or digital techniques. Films that weremade available to the public in other venues, including online, cannot be accepted. This includes (but is not limited to) television, home video, streaming or any digital platform both in Italy and abroad. Films that have been invited to other festivals in Italy prior to September 1, 2021 but have not participated may compete in this category.
Any Italian or foreign narrative animation film lasting less than 50 minutes with end credits. This category includes fiction, experimental, nonfictional or documentary works, music videos, or any other form of visual storytelling. Short films should not have premiere restrictions, nor be screenedin other festivals to be eligible forselection. All shorts that have already been presented at festivals or public events, aired on television or digital platforms, as well as home videos anywhere in the world, may be entered in this category.
[Insert infographic showcasing key facts and statistics about the Bangbus Dede in red fixed system]
The archiving of early-2000s internet video poses persistent technical challenges. Files from this era often suffer from code-related degradation, broken links, or data corruption during server migrations. System administrators use specific tags to indicate structural maintenance:
To minimize file sizes and bandwidth costs, networks utilized early compression codecs (such as RealMedia, Windows Media Video, or early Flash Video) that introduced severe artifacting, pixelation, and motion blur.
While the original title refers to an episode of the long-running "Bang Bus" series starring a performer named Dede, its modern "fixed" context typically involves: bangbus dede in red fixed
Here is a breakdown review of the scene:
: Legacy video compression standards often fail to render on modern mobile devices or HTML5 web players. Modern servers re-encode these archives into universal .mp4 (H.264) or WebM structures to ensure seamless cross-platform playback. "Bang Bus" Dede in Red (TV Episode 2006) - IMDb
How is being used to preserve legacy video formats. While the original title refers to an episode
Artificial intelligence models analyze the blocky artifacts generated by old compression algorithms and intelligently smooth out the pixelated boxes without blurring the underlying image details.
Users on platforms like TikTok and Reddit often use "fixed" to describe a video that has been reedited, duetted, or altered for comedic effect, sometimes removing the original context entirely or replacing it with unrelated "bait-and-switch" content.
Before diving into the specifics of the Bangbus Dede in Red Fixed, it's essential to understand who Dede is and the concept of Bangbus. Dede is a popular online personality who has built a reputation for sharing content related to Bangbus, a type of bus that has captured the attention of many. Episode aired Oct 4
"Bang Bus" Dede in Red (TV Episode 2006) - IMDb. Bang Bus. S6.E33. All. Dede in Red. Episode aired Oct 4, 2006. 30m. "Bang Bus" Dede in Red (TV Episode 2006) - IMDb
For those who are genuinely trying to access such websites, technical warnings are always advisable: many of the search results for terms like this lead to dead domains, require VPN access to bypass regional blocks, or simply reflect the ceaseless cat-and-mouse game of content removal and re-uploading that defines the fringes of the internet.
A wide range of innovative works and immersive experiences will be considered for the Festival’s AR/VR program. We request that you provide documentation that outlines any specific logistical, spatial, or equipment needs for your project. Specific instructions for submitting different file types are contained within the application. The works realized prior to October 1, 2020 are not eligible to submit to this category.Questions regarding this specific program should be directed to
This section is for all sorts of innovative,immersive or multiple platform experiences. These projects may include mixed media products, multimedia installations, live film performances, creations designed for specific digital platforms, or a mix of all the above techniques. A precise documentation of the project features is required, specifying the space, technical background and instrumentsnecessary to realising the project. This section is intended to encourage the diverse creative community to propose innovative fiction or documentary projects. Works that have already been presented in other festivals/events may be nominated in this section, however the organisation reserves the right to carefully examinethe projects that will be premiered. If it includes interactive elements, we ask you to read carefully about the "AR/VR"section. If the project does not include any features from that category, please look at the othercategories as well. Works made before January 1, 2020 may not be entered in this category.
Any backstage video of visual effects made by Italian professionals or companies. There are no restrictions regarding previous screenings or previews that would prevent the admission to the competition. A backstage video that has already been shown to a wide audience online or in streaming, on TV or as home video, may still be submitted in this category. Works made before January 1, 2021 will not be accepted.
Any animated commercial or ADV realized by Italian companies/professionals. The works have no premiere requirements or prior screening restrictions that impact Festival eligibility. Commercials/ADV that have been screened at any number of festivals or other public theatrical exhibitions, broadcast or streamed on television or the Internet, and/or released via any home video or other public distribution platform anywhere in the world are eligible for this category. The works realized prior to October 1, 2020 are not eligible to submit to this category.
Any animated opening/closing titles work from Italy and outside Italy. The works have no premiere requirements or prior screening restrictions that impact Festival eligibility. Opening/closing titles that have been screened at any number of festivals or other public theatrical exhibitions, broadcast or streamed on television or the Internet, and/or released via any home video or other public distribution platform anywhere in the world are eligible for this category. The works realized prior to October 1, 2020 are not eligible to submit to this category.
Before submitting your work, please read carefullythe following regulations:
- All work smust be from after September 2021.
- Works that are not in Italian must include Italian subtitles and have a dialogue list, unless understanding dialogues or voice-over are not necessary to understanding the work itself.
- By submitting your work to the Future Film Festival, you give us permission to screen your film during the Festival’s duration, at special events, spin-offs oron other related occasions. You also grant the Festival the right to archive and stream your work online on MyMovies. The Festival will send a contract for the selected authors/producers to sign.
- The organisation does not guarantee that all submitted films will be selected, but wepromise tolet you know whether you work has been chosen by July 30, 2024.
- Please send us at least two pictures of your work, a poster, and press material that can be used for promotional purposes (Hi-Resolution JPEG - size not exceeding 3MB).