This explains why the film feels drastically different from the first six entries. It literally was a different movie from a different decade, retrofitted to cash in on the success of the Taboo name.
Thus, is almost certainly a conflation of two separate works: a phantom Taboo VII and an existing 1989 film The Wild and the Innocent , merged by a user seeking "extra quality" (likely a VHS rip with improved bitrate or a rare laserdisc transfer).
While it remains an obscure, "black sheep" chapter of the 23-film Taboo anthology due to its departure from the core premise, it is celebrated as an ambitious, bizarrely artistic relic of a bygone cinematic era.
Produced by Richard Mailer for Intropics Video , the film is notoriously recognized by adult cinema historians as a creative repackaging of a much earlier 1980 softcore feature titled A Woman's Dream , directed by Pete Perry. By adding new framing sequences, a bookended narrative structure, and classical music overlays, the producers converted the older footage into an avant-garde installment of an entirely different franchise. Production and Franchise Context
Taboo VII: The Wild and the Innocent is a 1989 adult film that focuses on a narrative-driven plot, setting it apart from the more scene-focused films of the era. The storyline revolves around the contrast between two main female characters, often characterized by the title's reference to "the wild" and "the innocent". taboo vii the wild and the innocent 1989 ful extra quality
The story uses a heavy flashback structure. It opens with a famous poet and author, Ben Brookfield (played by ), at a busy book signing event. After breaking into a song called "Return to Romance" for his adoring fans, Ben bumps into a lost love, Emily (played by Lysa Thatcher ).
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, the film features several prominent stars from the 1980s adult industry: The Movie Database Taboo VII: The Wild and the Innocent (1989) - TMDB
By 1989, the "video boom" had firmly taken hold, changing the visual language of adult films. Taboo VII embraces this era with open arms. The cinematography is crisp, utilizing the vibrant colors and soft-focus lighting that were trademarks of the time. The fashion is distinctly late-80s: big hair, power suits, and a polished look that contrasts sharply with the grittier, documentary style of films from a decade prior. For collectors and historians, this film represents the pinnacle of that specific "video era" sheen. This explains why the film feels drastically different
It serves as a time capsule for late-80s aesthetics in adult film, showcasing specific fashion, styling, and cinematography techniques from that era. The Search for "Full Extra Quality"
Unlike previous entries, it completely abandons the incest themes that defined the early Taboo films, functioning more as a standalone romantic drama.
The "full extra quality" version of "Taboo VII: The Wild and the Innocent" refers to a restored and remastered edition of the film that includes additional footage, enhanced sound, and improved visual clarity. This version has been painstakingly crafted to provide viewers with a more immersive and authentic cinematic experience.
If you are searching for a specific adult film from 1989 with a rural/innocent theme and high production quality, try: While it remains an obscure, "black sheep" chapter
A cameo appearance by one of the era's top character actors. Musical Numbers and Production Value
With its release, fans and critics alike were eager to dive into the world of Taboo once again. The film's reputation as a provocative and unapologetic exploration of human desire has only grown over time, making it a must-see for fans of the series.
In the late 80s, the Taboo franchise was already a legend in adult cinema. Known for pushing the boundaries of narrative and taboo subjects (no pun intended), the series had evolved from its groundbreaking 1980 origins into a sprawling family saga.
For the uninitiated, the (often stamped in gold foil on the clamshell case) wasn’t just marketing hype. In the 1989 distribution run, a small batch of these tapes were mastered directly from the original interpositive film print rather than a third-generation dupe.