The Vacation -la Vacanza- - Tinto Brass 1971 -s... Exclusive Online
You can find more detailed reviews and cast information on platforms like IMDb or Letterboxd . Tinto Brass - Vacation
When film lovers hear the name Tinto Brass, they typically think of one thing: Caligula . Or perhaps The Key . Or the soft-focus, posterior-obsessed genre he would later christen "Decamerotic." But before the cheeky (literally) postmodernism of the 1980s and 90s, there was a younger, angrier, more politically savage Brass. And that director’s most fascinating, troubling, and genuinely artistic work is a nearly forgotten gem from 1971: ( The Vacation ).
Represents the mechanical, unfeeling nature of the state legal apparatus. 👁️ Core Themes: Who is Truly Insane? The Anti-Psychiatry Movement The Vacation -La Vacanza- - Tinto Brass 1971 -S...
The plot follows , a woman labeled as mentally unstable by a rigid patriarchal society. She is granted a temporary release—ironically deemed a "vacation" —from a psychiatric hospital. The purpose of her release is a test to see if she can properly assimilate back into civilized, "normal" everyday life. The Illusion of Sanity
Vanessa Redgrave, Franco Nero, Corin Redgrave, Leopoldo Trieste Silvano Ippoliti Premiere Date September 4, 1971 (Venice Film Festival) Theatrical Release April 5, 1972 (Italy) Running Time 101 minutes Key Award Pasinetti Award for Best Italian Film Plot and Narrative Structure You can find more detailed reviews and cast
La Vacanza was his thesis: The bourgeoisie does not need to be overthrown from the outside. It will implode from its own sexual and emotional impotence. The “vacation” is a metaphor for the false promise of consumer freedom. You can drive a fast car and wear expensive sunglasses, but if your soul is dead, you are already a ghost.
as Immacolata, a peasant woman committed to an insane asylum after an affair with a local Count soured. She is granted a one-month "experimental leave" to prove she can reintegrate into society. Or the soft-focus, posterior-obsessed genre he would later
(Vanessa Redgrave), a peasant woman who was committed to a mental asylum after being discarded by her lover, a local Count. She is granted a one-month experimental leave—the "vacation" of the title—to see if she can reintegrate into society.
