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Mapouka originated as a communal celebration dance among the Ahizi, Alladian, Dida, and Avikam people in the Dabou area near Abidjan. Originally, its rhythmic movements symbolized joy, vitality, and social storytelling during regional ceremonies.

Mapouka is characterized by fast-paced, energetic rhythms and call-and-response singing, a hallmark of West African musical tradition. It is performed mostly by women who shake their rear ends side to side or in rapid, isolated shivers while facing away from the audience, often bending at the waist. This mesmerizing movement, which isolates the buttocks to move independently of the hips, created a craze so intense that women in Abidjan reportedly abandoned Western fashion standards to gain weight, believing a larger posterior was better adapted to the Mapouka move.

The Ivoirian entertainment scene, particularly in Abidjan, has been experiencing significant growth in recent years. One notable aspect of this growth is the emergence of 39Mapouka, a popular Ivoirian entertainment and media content creator. This report aims to provide an overview of 39Mapouka's activities, impact, and contributions to the Ivoirian entertainment industry. Mapouka originated as a communal celebration dance among

Often dubbed "la danse du fessier" (the dance of the behind), it relies on isolations where the dancer bends forward, moving the gluteal muscles rapidly and independently from the rest of the body.

: The group Les Tueuses du Mapouka (The Mapouka Killer Ladies) was instrumental in pushing the dance into the international spotlight during the late 90s. It is performed mostly by women who shake

The global appetite for African content (Afrobeats, Amapiano, and Mapouka) has never been higher. Abidjan’s media professionals are at the forefront, ensuring that Côte d'Ivoire remains a dominant force in the "Orange Economy." By digitizing traditional dances, they preserve the culture while making it accessible to a generation that consumes life through a five-inch screen.

: Beyond formal theaters, the energy of Mapouka and Zouglou is best experienced in the city's many "maquis" (open-air restaurants) and social clubs where live bands perform regularly for local audiences. One notable aspect of this growth is the

In late 2022 and early 2023, the Ivorian government, through the HACA (High Authority for Audiovisual Communication), began issuing warnings and blocking channels that hosted explicit Mapouka content. Their argument is that the content violates Ivorian decency laws and degrades the image of the Ivorian woman.

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Short-form video platforms have completely democratized the dance. Weekly TikTok trends and Instagram Reels featuring curated audio mixes generate millions of views, positioning Ivorian content creators as key influencers within the pan-African digital space.

Mapouka emerged in the 1990s in Abidjan's urban neighborhoods, particularly in the city's youth clubs and dance halls. The dance style was initially popularized by Ivoirian musicians such as Youssouf Diawara and Les Dossiers de l'Afrique, who incorporated Mapouka into their music videos and live performances. Over time, Mapouka evolved and spread throughout Côte d'Ivoire, with various artists and dance troupes contributing to its development.