To pass the older footage off as a brand-new Taboo sequel, the producers shot wrap-around segments, altered the credits, added a saccharine, late-80s synthesizer and pop soundtrack, and slapped the lucrative Taboo branding onto the box. Why It Stands Out in the Franchise
When Kirdy Stevens launched the original Taboo in 1980 starring Kay Parker, it became an overnight sensation by exploring psychological family taboos within a dramatic framework. By the time Taboo VII was released in 1989, the landscape of adult cinema was shifting heavily from celluloid film to cheaper videotape formats.
The film brought together some of the most recognizable names of the 1980s adult film industry: : Kirdy Stevens Lead Actor : Randy West (playing Ben Brookfield)
Whether you're a fan of the Taboo series, a student of the adult film industry, or simply someone interested in exploring the complexities of human desire, Taboo VII: The Wild and the Innocent is a film that is sure to leave a lasting impression. So, if you're feeling brave and want to experience one of the most iconic films of the adult film industry, then Taboo VII: The Wild and the Innocent (1989) is a must-see. taboo vii the wild and the innocent 1989 ful best
The plot of Taboo VII: The Wild and the Innocent is, in many ways, a classic tale of forbidden love. The film centers around a young woman, played by Traci Lords, who becomes embroiled in a series of taboo relationships with her family members. As the story unfolds, the boundaries between family and desire are blurred, leading to a series of intense and unapologetic encounters.
: In another highly unusual directorial choice, Kirdy Stevens scores one of the film's explicit encounters to Richard Wagner’s powerful operatic piece, "Ride of the Valkyries".
Taboo VII: The Wild and the Innocent was released in 1989, a time when the adult film industry was experiencing a surge in popularity. The film was directed by Jim Enright, a veteran of the adult film industry, and produced by Al Goldberg, a prominent figure in the world of erotic cinema. The production company behind the film, Taboo Productions, had already established itself as a major player in the industry, with a reputation for producing high-quality, boundary-pushing content. To pass the older footage off as a
The late 1980s saw significant shifts in societal attitudes towards sexuality and erotic media. Films like "Taboo VII: The Wild and the Innocent" often reflect and influence these changing attitudes, pushing boundaries and exploring themes that were considered taboo or avant-garde at the time.
This is where Taboo VII stands out. Unlike the "shot-on-video" look that plagued the late 80s, this film maintains a cinematic quality.
While some contemporary fans criticized the movie for abandoning the strict thematic guidelines of the earlier Taboo films, modern retrospective reviews praise its cinematography and its ambition to portray a more sensual, humanistic view of romance. Because it heavily utilized specialized archival footage and a unique structural edit, it stands as a historically valuable, rare capsule of late-20th-century adult filmmaking. The film brought together some of the most
Nearly a decade after the original film was made, producer Dave Arthur (who did not direct Taboo VII , with Kirdy Stevens receiving credit) essentially bought the rights to A Woman's Dream and repackaged it. New opening and end credits were tacked on, and it was released as the seventh installment in the highly successful Taboo series. This explains why the film feels so disconnected from the rest of the series—it wasn't made to be a Taboo film at all.
: The film opens with famous author and poet Ben Brookfield (played hammy yet enthusiastically by Randy West) at a crowded book signing. In one of the most bizarre creative choices in adult cinema, West's character breaks out into a low-budget musical number titled "Return to Romance" to serenade his swooning female fans.